Past Issues

Council for Asian Musicology

Whole Contents (vol. 1-31) of Asian Musicology

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2002 (Vol. 1)

Indian Music and European Researchers from Late Eighteenth through Early Nineteenth Centuries Activities in the Asiatic Society in India/ Kobinata, Hidetoshi

The Dance-Songs and Dance Music of the Kenyah Community Of Sarawak , East Malaysia/ Chong, Pek Lin

Change to Ensure Continuity – The Extraordinary Ceremony Dabei Chan: Transformations of Chinese Buddhist Music in England/ Tsai, Tsan-Huang

Ethno-social processes and musical culture of antiquity: China, Korea, Japan./ Sergei B. Loupinos

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2002 (Vol. 2)

Man Zhong Kuai Musical Form of Chinese and Korean Music/ Chun In Pyong

Pithi Sampeah Krou or Ceremony of Paying Homage to the Teacher in Khmer Dance and Music/ SAM-ANG SAM

The System of Images in the Dombra Tradition of the Kazakhs/ Saule Utegalieva

Invented Traditions of Koto Notation from the Meiji Period/ Henry M. Johnson

Pentatonic Patterns of Construction – a Study based on work by Gabor Luko/ Gyorgy Kadar

An overview of chordophonic instruments used in the folk music of rajasthan; a western region of indian subcontinent/ SUREERA KASLIWAL

Audience response to p’ansori and its impact on contemporary p’ansori performance/ Yeonok jang

A Composer’s Travel Journal/ Hyo-shin Na

Diehl, Keila. Echoes from Dharamsala: Music in the Life of a Tibetan Refugee Community. – Berkeley : University of California Press, 2002./ Elaine Dobson

Hwang Byung-ki wa ui taehwa/Conversations with Kayageum Master/ Byung-ki Hwang./ Hilary Finchum-Sung

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2003 (Vol. 3)

The Triple Musical Form of Southeast Asian and Korean Music/ Chun In Pyong

The Evolution and Decline of the Ancient Chinese Practice of Watching for the Ethers/ Hunag Yi Long and Chang  Chi Cheng

The Coherent View between Human body and Musical Structure According to Indian Philosophical Thought/ Yoon, HyeJin

99 The Multiformity of Asian Music: A Comparative Study on Current Situation between Indian, Chinese and Philippine Music/ Chen Ji Ming

Is There a Reason for the Existence of a Stand-Alone Finno-Ugrian Musicology?/ Gyorgy Kadar

The Historical Routes of the Malay Gambus(Lutes)/ Rarry Francis Hilarian

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2004 (Vol. 4)

A Study of musical cultures in Samhan Period/ Hwang Mi-yon

YAMATARAJABHANAS ALAGAMAN; INTERESTING COMBINATORIC SUTRA/ Subhash kak

Musical drama on the Silk Road, and Hu-Han cultural exchange/ Ke Lin

The Music and Culture of the Silk Road-Enrichment Through Mutual Exchanges Between India and Central Asian Countries/ Ms. Sharbari Mukherjee

Korean Jangdan in Terms of “Long and Shor” with Reference to Yeongsanhoesang and Sanjo/ Chun In Pyong

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2004 (Vol. 5)

RASA: The Phenomenon of Indian and Indonesian Music/ Bambang Sunarto

Chordophones of Central Asia: a New Approach to Its Classification/ Saule Utegalieva

Musical Pervasiveness In Iran And Necessity of National Music Museum

Golnaz Golsabahi/

Vietnamese Traditional Music and its Tradition of International Exchange: Issues in the Context of Globalization/ Le Toan

Vietnamese Traditional Music in the Background of Globalization/ Van Minh Huong

Korean Ensemble Music (Julpungryu) and Chinese Ensemble Music (Sizhuyue)/ Chun In Pyong

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2005 (Vol. 6)

Symbolism of Daegeum (Korean large transverse flute)/ So In hwa

Teaching Samulnori/ Keith Howard

The Teaching and Learning of World Musics in Tertiary Institutions of Singapore/ Larry Francis Hilarian

Vocal Music Art of “Tuong”/ Van Minh Houng

The Space Arrangement of the Royal Ceremony in the Chosun Dynasty/ Shin Sun Hi

The Thai chings, Korean jing and Indonesian gongs/ Chun In Pyong

Music Education in Malaysia: Transcending Borders Through Tradition/ Tan Sooi Beng

National Musics and National Orchestras: A Case Study on the “Modern Chinese Orchestra./ J. Lawrence Witzleben

The Regeneration of Traditional Music in a Chinese Rural Village/ IGUCHI Junko

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2006 (Vol. 7)

Phonological Research of Nanbeiqu/ Yu Weimin

RĀGAMĀLĀ: the visual representation of melody types in Northern India/ Saurabh Goswami and Selina Thielemann

Eastern Influence: The Medieval Japanese No Dram As a Basis for Benjamin Britten’s Curlew River/ CHUNG Yoo jin

Soviet-Korean Folksongs in the early 20th Century: Formation and Transformation. Bohi Gim Ban

Analysis And Differentiation Among Three Concepts Yue-Ji, Hra-JI and Hua-JI/ Cheng Huihui

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2006 (Vol. 8)

Semiotic Analysis on Discourse of Cheongseonggok(淸聲曲)/ Surh, Usoc

Introduction to the Aesthetics of Korean Traditional Music/ So Inhwa

The Concept of Tāla in the Nātya Śāstra : the Harmony of Music and Drama/ Lee Jae sook

The Need for a New Notational System for Korean Traditional Music: Focusing on Gagok/ Lee, Insuk

000 Aesthetics of Javanese Gamelan Music: Structure, Style and Musical Feeling/ R. Anderson Sutton

Gamlan Music and Literature in Javanese Court Traditions/ Bambang Sunarto

Traditional Music Performance Education at Kazakh National Conservatory named after Kurmangazy: Tasks and Perspectives/ Saule Utegaliyeva

On the Intervallic Associations of the Cheremis Musical Culture Cheremis Musical Culture and Western Musical Thinking/ Gyrgy Kdrar

Women and Music in the Great Silk Road/ Razia Sultanova

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2006 (Vol. 9)

The Future of the Uygher Musical Past: Reconstructing Uygher Muqam in Chinese Central Asia/ Wong Chuen-Fung

Transnational Popular Music Culture and Local Cultural Politics: Korea’s Open-Door Policy on Japanese Popular Culture (1998-2004) and its Antecedents/ Jung Eun-Young

Gaidong in Hong Kong: The Ecology of Commercial Chinese Instrumental Music Performance/ Lung Man Wai, Mavis

Chinese Opera in Singapore, 1840s-1960s/ Lee Tong Soon

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2007 (Vol. 10)

The History of Korean Music from a New Perspective/ CHUN In Pyong

Campursari Music: The Content and Modal System Application/ Bambang Sunarto

Binh Dinh Popular Classical Drama-A Phenomenon of Popular Traditional Culture in Adaption in the Current Life and Culture/ Van Minh Huong

The Regeneration of Traditional Music in a Chinese Rural Village/ IGUCHI Junko

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2007 (Vol. 11)

Musico-Artistic (A Perspective on Music Studies)/ Bambang Sunarto

The Inconspicuous Acceleration in Qin Music: An Insider’s View with Validation by a Perceptive Study/ Tse, Chun-Yan

Canon in the Musical Cultures of China, Korea and Japan/ Sergey B.Lupinos

The Magnificent and Grand Beauty in Korean Traditional Music/ Chun In Pyong

Appendix; Akhakgweabeum (Vol. 3 – Vol. 6)/ Seong hyeon

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2008 (Vol. 12)

Selective Identity: Korean Minority Composers and the Performance of Ethnicity in the People’s Republic of China (PRC)/ Koo Sun hee

Re-creating “India”through Ritual and Musical Practices in Pittsburgh, USA/ Eguchi Yuko

Performing Kimigayo: Japanese National Anthem and the Sonorous Undoing of the Collective Voice/ Oba Junko 

The Chinese Music Archive as a Musical Bridge/ Yu Siu Wah

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2008 (Vol. 13)

The Epistemology of the Music Creation/ Bambang Sunarto

Gamelan Music: Meanings and Contexts in Village Rituals and Celebrations/ Santosa

Ritual Music in Prehistoric China/ Fang Jianjun

Language in Music Creativity with Kodály/ Hsiao-Shien Chen, Yu-Chuan Yao  

The Effect of the Ganggangsullae Guidance by Kodaly Method on the development of Infant musicality: with Focus on Age 5/  Prof. Kim, Jung Hwa

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2009 (Vol. 14)

Encountering Modernity in Asian Music Korean Wave in Japan vs. Japanese Wave in Korea/ Jung Eun-Young

Expanding Practices and Performing Popular Songs in Taiwanese Opera/ Pattie Hsu

Displaying “Japan”: Kumidaiko and the Exhibition of Culture at Walt Disney World/ Benjamin Pachter

Mediating Tradition and Modernity in Chennai: Notes on Carnatic Classical Music in Contemporary India/ Anita Balasubramanian 

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2009 (Vol. 15)

Sadra’s Ethic and Consideration In His Music Piece Creation/ Bambang Unarto

P’ansori Performance Style in The Eighteenth Century/ Jang Yeon-ok

A Research on the Life of Yoo Dong-cho, the Master of Tungso/ Cho Seog-yeon

Intangible Cultural Heritage in Korea – Focusing on Performing Arts/ Lee Yong-shik 

Current Situation of Asian Music Study in Korea/ So In-hwa

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2010 (Vol. 16)

Music and Identities in Asian Music 

Inventing Ethnic Music: Vocal Music of the Korean Ethnic Minority in the People’s Republic of China/ Koo Sun Hee

Korean Songs in Japanese Music Textbooks: Music Education and Japan-Korea Relationship since the 1980s/ Fujii Koki

“Dirty Theatre”and Reform: Huaguxi Before and After 1949 in Hunan Province, China/ Li Huan

Styles of Pedagogy and Performance Practices in Carnatic Vocal Music/ Niranjani Prahbakar

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2011 (Volume 17)

Songs and Cultural Aesthetics in Asia

Kakawihan Barudak Sunda: Sundanese Children’s Songs of West Java/ Indra Ridwan

Ahabala in China’s Mosuo Society: Performance, Representation and Meaning/ Yang Min

Movies and Politics in the History of a Chinese Popular Song: From Tang Wei, Li Koran, Zhou Xuan to Abing the Blind/ Yu Siu Wah

Performance Structure and Transmission in the South Indian Mridangam/ L. Ramakrishnan —————————————————

2011 (Vol. 18)

Study of the Periodization of the History of Korean and Japanese Music/ Chun In pyong

The Origin and the Disappearance of the Korean Lutes/ Lee Yong shik

A Study on Korean Saenghwang (a Korean wind nstrument)/ Cho Seog yeon

An Inscribed GuoshulǚBell from the Freer Collections and its Relevant Issues/ Fang Jian jun

Marriage Ritual, Campurssari Music, and Imagination of Modernity in Java/ Budi Setiyono

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2012 (Vol. 19)

Contemporary Chinese Pipa Music and Its Future/ Lu Liu

The Repertoire of the Dizi Chinese Bamboo Flute/ Chang Ning Chai

Puyuma Bells: The Markers Of Honour, Passage, And Social Status/ Lancini Jen-hao Cheng

The Unwritten and the Recorded/ Chun-bin Chen

Playing for People or the Gods? Sustainability of Local Religious Music Popular in Yunnan Province/ Zhang Boyu

Mainstreaming, Popularising and Packaging : New Trends in the Christian Music of the Minorities in Yunnan/ Yang Minkang

The Latest Trends in Huangmei Opera/ Ching-wah Lam

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2012 (Vol. 20)

Between Global and Local: Twenty-First Century Korean Music-Making/ Hee-Sun Kim

We’re All Applied Ethnomusicologists Now: The Case of the Chinese Musical Instrument Collection at the Chinese University of Hong Kong and Its Database Project/ Tsai Tsan-Huang

Politics of Arts, Arts of Politics: Political Influences on the Development of Peking Opera in Hong Kong/ Chan Pui Lun

Directions for the Future of Asian Musicology in the 21st Century/ Oh-Sung Kwon

A Study on Jongmyo Jeryeak (宗廟祭禮樂)(I)/  Seongyeon Park

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2013 (Vol. 21)

In search of the world of a new Gayageum music./ HWANG Byungki

On the rhythm of the Korean music education at elementary schools/ YI Haeshik

The purism and justification pervading in Korea after the embracement of Western music/ CHUN In Pyong

A Study of Jongmyo Jeryeak II/ PARK Seong yeon

Synthesis of Hangyeore (One Nation) Music and Musicians/ SONG Ji won

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2013 (Vol. 22)

Changjak Gugak as viewed in the ethnomusicological perspective/ CHUN In pyong

A Study on the Singing style of Gyeonggiseonsori Santaryeong: Focused on the Analysis of Apsantaryeong/ LEE Hyung-Hwan

A Study of the Kyoto Performance of Yiwangjik Aakbu/ Sri Hesti Heriwati.

Extracting Meanings of Literary Texts in New Environments/ Santosa SW

A Pragmatic study of the classical verse in the Gara-gara scene in classical Surakarta style shadow puppet theatre performed by puppeteer Ki Anom/ Suroto Karju

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2014 (Vol. 23)

From Henan Opera to Taiwan Bangzi- Localisation and Identity of Taiwan/

Ma Ming-Hui

A Study of the Kyoto Performance of Yiwangjik Aakbu/ LEE Sujoung

Isang Yun in-between/ Lee Moon kyung

The Relation and influence between the musics and cultures for India and Korea/ CHUN In Pyong

An Essay on establishing the concept of Korean musicology/ SONG Bangsong

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2014 (Vol. 24)

A Study on the origin of the saengso byeongju type performance/ Kim Seong-hye

Korean Ritual of Mental Patient (Michingut) of Daejeon :Based on Chants of Sin Seokbong Beopsa/ Park Hye- Jeong

A study of the adaptive ability of a Chinese Opera: three case studies of the localized Taiwan Bangzi/ Ma Ming-Hui

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2015 (Vol. 25)

Performing Age, Class, and Gender in Korean P’ansori/ Ruth Mueller

Syncretism of the Korean cheonju gasa Sipjjapuriga with Gaksseoritaryeong/ Kang, Young-yeah

Krontjong Toegoe in Jakarta’s Tugu Village: A Musical Heritage from the Colonial Era/ Victor Ganap

Revitalizing the lost instruments: Research and reconstruction of the bronze bells and stone chimes in Vietnamese court music/ Phan Thuan Thao

An Investigation into the Point ( • ) in Akjangnyoram/ Nam Sang-sook

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2016 (Vol. 26)

From the Editor/ Yu Hui

Traditional Song Lyrics and Ritual Actions in Cambodian Weddings/ Francesca Billeri

Indonesian Influences in the Music of Elaine Barkin/ John O. Robison

Political Significance and Performance Contexts of the North Korean Ǔnhasu Orchestra/ Yeonok Jang

“We Found Ourselves”– Music and Identity among the Chinese American Diaspora in Miami/ Yiyu Zhang

Jazz in Japan: The Process of Cultural Integration/ Michael Pronko

Jazz Characteristics of the Chinese Bowed String Instrument Erhu

in Sanshui and Lanhuahua/ Zongyan Wang

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2017 (Vol. 27)

From the Editor: Music and Cultural Interactions in the Internet Age/ Yu Hui

Local Music in the Global Digital Field: A Study of Distribution and Popularity of Chinese Music on Youtube/ Yu Hui &Sary Schroeder

Virtual Fieldwork on Chinese Folk Songs: The Participatory Culture of Online Hua’er Videos/ Lukas Park

Country and Eastern: Music, the Internet, and the Dharma Realm Buddhist Association/ Beth Szczepanski

The Modern Transformation of the Zheng/ Ann L. Silverberg

Reality and fiction: audiovisual representations of traditional musical cultures in China/ Leonardo D’Amico

The Durham Oriental Music Festival and its Legacy/ Keith Pratt &Simon Mills

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2018 (Vol. 28)

Tracking the Korean Wave in Transnational Asia: K-Pop and K-Pop Fandom in Indonesia/ R. Anderson Sutton

Korean Wave 3.0 with reference to K-pop/ CHUN In Pyong

Emerging contemporary gugak as the essence of Hallyu in Britain : Rediscovery of gugak and the geomungo/ Ilwoo Park

Korean Wave and the African Continent: major developments and strategies/ Bethel Ghebru

Staying Relevant in the Digital Age: 100 Years of (Re)defining Gugak/ Jocelyn Clark

“Yoo Nan Saeng”: CL as master of the appropriative modes of KPOP and KHIP-HOP/ Michael W. Hurt

Bass Lee In Young who stowed away on a ship into Japan to study music/ Lee In Young

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2019 (Vol. 29)

 The Music of Kim Eunhye: Arirang, Animals, and Signs of the Zodiac/ John O.Robinson

Champru as a cultural strategy of Sustainability: focusing on The Okinawan Performing arts in Nanyo/ Junko Konishi  

Mlesed and Nggandhul in the Musical Accompaniment of Shadow Puppet Theater: A Case Study of Gendhing/ Hanggar Budi Prasetya

Legitimizing the Regime through Appropriating Central Asian Music:

The Three Dances of Yayue in the Early Tang/ Zhou Jing

Silk Road transmission of the yogo (hourglass drum) types depicted in Dunhuang mural paintings to China, Korea and Japan/ CHUN In pyong  

My cello Music and My Musical life I loved/ Na Duksung 

“A potential Uralic philosophy”by György Kádár/ Dr. Adrian Bury

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2019 (Vol. 30)

From the Editor: TheFrom the Editor: Chinese Contribution to the Contemporary Music of the 21st Century/ Yu Hui

In Search of a Distinctive Asian Sound – Fusion and Transformation

in Hong Kong Contemporary Compositions Since 1990/ Yat-wai Joseph WON

Fallen Leaves, New Roots/ Nicholas Ng

Ancient Melody and New Sound in Music from the Tang Court/ Ye Yu

Wang Xilin, Human Suffering, and Compositional Trends in Twenty-First Century China/ John O. Robison

Cross-Cultural Elements in Paul Rudy’s Fantasie Composition/ Wang Zheng-Ting

Chinese Music in Malaysia: Sustainability and Convergence/ Loo Fung Ying / Loo Fung Chiat

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2020 (Vol. 31)

 Indo-mono musical works in modern Japan – a focus on Kazuo Yamada and Sadao Itō/ Hidetoshi Kobinata

Internationalen Ferienkursen für Neue Musik in Darmstadt as a platform of interest for composers from the People’s Republic of China, Hong Kong and Taiwan. A historical trace/ Joevan de Mattos Caitano

The characteristics of Thai popular singing dring 1925 – 1967/ Nutthan Inkhong

Korean Migrant Composers in Germany and their Background under the Aspect of ‘Generation’and Vocal Tex/ Shin-Hyang Yun

P’ansori as an Alternative to Existing Performer-Audience Relationships in Modern World Theatre/ Kim IkDoo

Existence of Orchestral Music Group in Java: since the Dutch East Indies to the Post-Independence (1950)/ Surtihadi and Sunarto

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2021 (Vol. 32)

Special Issue; an Essay on Korean Music Aesthetics by Dr. CHUN in pyong
Preface
Introduction
Ten beauties represented in Korean traditional music
associated with Korean artsThe magnificent beauty 장려미壯麗美

The grand beauty 웅혼미雄渾美

The noble/ lofty beauty 고결미高潔美

The beauty of simplicity 간소미簡素美

The lengthy beauty 유장미悠長美

The natural beauty 무작위의 미 無作爲의 美

The beauty of ‘han’ 한恨 의 미

The beauty of excitement and enjoyment
신바람과 흥興의 멋

The improvisational beauty 즉흥卽興의 미

The jest/ satirical beauty 해학미諧謔美
Characteristics of Korean traditional music
Glossaries Kobinata
Bibliography