Council for Asian Musicology
Whole Contents (vol. 1-31) of Asian Musicology
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2002 (Vol. 1)
Indian Tala and Korean Changdan/ Chun In Pyong
Indian Music and European Researchers from Late Eighteenth through Early Nineteenth Centuries Activities in the Asiatic Society in India/ Kobinata, Hidetoshi
The Dance-Songs and Dance Music of the Kenyah Community Of Sarawak , East Malaysia/ Chong, Pek Lin
Change to Ensure Continuity – The Extraordinary Ceremony Dabei Chan: Transformations of Chinese Buddhist Music in England/ Tsai, Tsan-Huang
Ethno-social processes and musical culture of antiquity: China, Korea, Japan./ Sergei B. Loupinos
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2002 (Vol. 2)
Man Zhong Kuai Musical Form of Chinese and Korean Music/ Chun In Pyong
Pithi Sampeah Krou or Ceremony of Paying Homage to the Teacher in Khmer Dance and Music/ SAM-ANG SAM
The System of Images in the Dombra Tradition of the Kazakhs/ Saule Utegalieva
Invented Traditions of Koto Notation from the Meiji Period/ Henry M. Johnson
Pentatonic Patterns of Construction – a Study based on work by Gabor Luko/ Gyorgy Kadar
An overview of chordophonic instruments used in the folk music of rajasthan; a western region of indian subcontinent/ SUREERA KASLIWAL
Audience response to p’ansori and its impact on contemporary p’ansori performance/ Yeonok jang
A Composer’s Travel Journal/ Hyo-shin Na
Diehl, Keila. Echoes from Dharamsala: Music in the Life of a Tibetan Refugee Community. – Berkeley : University of California Press, 2002./ Elaine Dobson
Hwang Byung-ki wa ui taehwa/Conversations with Kayageum Master/ Byung-ki Hwang./ Hilary Finchum-Sung
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2003 (Vol. 3)
The Triple Musical Form of Southeast Asian and Korean Music/ Chun In Pyong
The Evolution and Decline of the Ancient Chinese Practice of Watching for the Ethers/ Hunag Yi Long and Chang Chi Cheng
The Coherent View between Human body and Musical Structure According to Indian Philosophical Thought/ Yoon, HyeJin
99 The Multiformity of Asian Music: A Comparative Study on Current Situation between Indian, Chinese and Philippine Music/ Chen Ji Ming
Is There a Reason for the Existence of a Stand-Alone Finno-Ugrian Musicology?/ Gyorgy Kadar
The Historical Routes of the Malay Gambus(Lutes)/ Rarry Francis Hilarian
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2004 (Vol. 4)
A Study of musical cultures in Samhan Period/ Hwang Mi-yon
YAMATARAJABHANAS ALAGAMAN; INTERESTING COMBINATORIC SUTRA/ Subhash kak
Musical drama on the Silk Road, and Hu-Han cultural exchange/ Ke Lin
The Music and Culture of the Silk Road-Enrichment Through Mutual Exchanges Between India and Central Asian Countries/ Ms. Sharbari Mukherjee
Korean Jangdan in Terms of “Long and Shor” with Reference to Yeongsanhoesang and Sanjo/ Chun In Pyong
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2004 (Vol. 5)
RASA: The Phenomenon of Indian and Indonesian Music/ Bambang Sunarto
Chordophones of Central Asia: a New Approach to Its Classification/ Saule Utegalieva
Musical Pervasiveness In Iran And Necessity of National Music Museum
Golnaz Golsabahi/
Vietnamese Traditional Music and its Tradition of International Exchange: Issues in the Context of Globalization/ Le Toan
Vietnamese Traditional Music in the Background of Globalization/ Van Minh Huong
Korean Ensemble Music (Julpungryu) and Chinese Ensemble Music (Sizhuyue)/ Chun In Pyong
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2005 (Vol. 6)
Symbolism of Daegeum (Korean large transverse flute)/ So In hwa
Teaching Samulnori/ Keith Howard
The Teaching and Learning of World Musics in Tertiary Institutions of Singapore/ Larry Francis Hilarian
Vocal Music Art of “Tuong”/ Van Minh Houng
The Space Arrangement of the Royal Ceremony in the Chosun Dynasty/ Shin Sun Hi
The Thai chings, Korean jing and Indonesian gongs/ Chun In Pyong
Music Education in Malaysia: Transcending Borders Through Tradition/ Tan Sooi Beng
National Musics and National Orchestras: A Case Study on the “Modern Chinese Orchestra./ J. Lawrence Witzleben
The Regeneration of Traditional Music in a Chinese Rural Village/ IGUCHI Junko
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2006 (Vol. 7)
Phonological Research of Nanbeiqu/ Yu Weimin
RĀGAMĀLĀ: the visual representation of melody types in Northern India/ Saurabh Goswami and Selina Thielemann
Eastern Influence: The Medieval Japanese No Dram As a Basis for Benjamin Britten’s Curlew River/ CHUNG Yoo jin
Soviet-Korean Folksongs in the early 20th Century: Formation and Transformation. Bohi Gim Ban
Analysis And Differentiation Among Three Concepts Yue-Ji, Hra-JI and Hua-JI/ Cheng Huihui
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2006 (Vol. 8)
Semiotic Analysis on Discourse of Cheongseonggok(淸聲曲)/ Surh, Usoc
Introduction to the Aesthetics of Korean Traditional Music/ So Inhwa
The Concept of Tāla in the Nātya Śāstra : the Harmony of Music and Drama/ Lee Jae sook
The Need for a New Notational System for Korean Traditional Music: Focusing on Gagok/ Lee, Insuk
000 Aesthetics of Javanese Gamelan Music: Structure, Style and Musical Feeling/ R. Anderson Sutton
Gamlan Music and Literature in Javanese Court Traditions/ Bambang Sunarto
Traditional Music Performance Education at Kazakh National Conservatory named after Kurmangazy: Tasks and Perspectives/ Saule Utegaliyeva
On the Intervallic Associations of the Cheremis Musical Culture Cheremis Musical Culture and Western Musical Thinking/ Gyrgy Kdrar
Women and Music in the Great Silk Road/ Razia Sultanova
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2006 (Vol. 9)
The Future of the Uygher Musical Past: Reconstructing Uygher Muqam in Chinese Central Asia/ Wong Chuen-Fung
Transnational Popular Music Culture and Local Cultural Politics: Korea’s Open-Door Policy on Japanese Popular Culture (1998-2004) and its Antecedents/ Jung Eun-Young
Gaidong in Hong Kong: The Ecology of Commercial Chinese Instrumental Music Performance/ Lung Man Wai, Mavis
Chinese Opera in Singapore, 1840s-1960s/ Lee Tong Soon
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2007 (Vol. 10)
The History of Korean Music from a New Perspective/ CHUN In Pyong
Campursari Music: The Content and Modal System Application/ Bambang Sunarto
Binh Dinh Popular Classical Drama-A Phenomenon of Popular Traditional Culture in Adaption in the Current Life and Culture/ Van Minh Huong
The Regeneration of Traditional Music in a Chinese Rural Village/ IGUCHI Junko
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2007 (Vol. 11)
Musico-Artistic (A Perspective on Music Studies)/ Bambang Sunarto
The Inconspicuous Acceleration in Qin Music: An Insider’s View with Validation by a Perceptive Study/ Tse, Chun-Yan
Canon in the Musical Cultures of China, Korea and Japan/ Sergey B.Lupinos
The Magnificent and Grand Beauty in Korean Traditional Music/ Chun In Pyong
Appendix; Akhakgweabeum (Vol. 3 – Vol. 6)/ Seong hyeon
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2008 (Vol. 12)
Selective Identity: Korean Minority Composers and the Performance of Ethnicity in the People’s Republic of China (PRC)/ Koo Sun hee
Re-creating “India”through Ritual and Musical Practices in Pittsburgh, USA/ Eguchi Yuko
Performing Kimigayo: Japanese National Anthem and the Sonorous Undoing of the Collective Voice/ Oba Junko
The Chinese Music Archive as a Musical Bridge/ Yu Siu Wah
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2008 (Vol. 13)
The Epistemology of the Music Creation/ Bambang Sunarto
Gamelan Music: Meanings and Contexts in Village Rituals and Celebrations/ Santosa
Ritual Music in Prehistoric China/ Fang Jianjun
Language in Music Creativity with Kodály/ Hsiao-Shien Chen, Yu-Chuan Yao
The Effect of the Ganggangsullae Guidance by Kodaly Method on the development of Infant musicality: with Focus on Age 5/ Prof. Kim, Jung Hwa
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2009 (Vol. 14)
Encountering Modernity in Asian Music Korean Wave in Japan vs. Japanese Wave in Korea/ Jung Eun-Young
Expanding Practices and Performing Popular Songs in Taiwanese Opera/ Pattie Hsu
Displaying “Japan”: Kumidaiko and the Exhibition of Culture at Walt Disney World/ Benjamin Pachter
Mediating Tradition and Modernity in Chennai: Notes on Carnatic Classical Music in Contemporary India/ Anita Balasubramanian
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2009 (Vol. 15)
Sadra’s Ethic and Consideration In His Music Piece Creation/ Bambang Unarto
P’ansori Performance Style in The Eighteenth Century/ Jang Yeon-ok
A Research on the Life of Yoo Dong-cho, the Master of Tungso/ Cho Seog-yeon
Intangible Cultural Heritage in Korea – Focusing on Performing Arts/ Lee Yong-shik
Current Situation of Asian Music Study in Korea/ So In-hwa
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2010 (Vol. 16)
Music and Identities in Asian Music
Inventing Ethnic Music: Vocal Music of the Korean Ethnic Minority in the People’s Republic of China/ Koo Sun Hee
Korean Songs in Japanese Music Textbooks: Music Education and Japan-Korea Relationship since the 1980s/ Fujii Koki
“Dirty Theatre”and Reform: Huaguxi Before and After 1949 in Hunan Province, China/ Li Huan
Styles of Pedagogy and Performance Practices in Carnatic Vocal Music/ Niranjani Prahbakar
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2011 (Volume 17)
Songs and Cultural Aesthetics in Asia
Kakawihan Barudak Sunda: Sundanese Children’s Songs of West Java/ Indra Ridwan
Ahabala in China’s Mosuo Society: Performance, Representation and Meaning/ Yang Min
Movies and Politics in the History of a Chinese Popular Song: From Tang Wei, Li Koran, Zhou Xuan to Abing the Blind/ Yu Siu Wah
Performance Structure and Transmission in the South Indian Mridangam/ L. Ramakrishnan —————————————————
2011 (Vol. 18)
Study of the Periodization of the History of Korean and Japanese Music/ Chun In pyong
The Origin and the Disappearance of the Korean Lutes/ Lee Yong shik
A Study on Korean Saenghwang (a Korean wind nstrument)/ Cho Seog yeon
An Inscribed GuoshulǚBell from the Freer Collections and its Relevant Issues/ Fang Jian jun
Marriage Ritual, Campurssari Music, and Imagination of Modernity in Java/ Budi Setiyono
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2012 (Vol. 19)
Contemporary Chinese Pipa Music and Its Future/ Lu Liu
The Repertoire of the Dizi Chinese Bamboo Flute/ Chang Ning Chai
Puyuma Bells: The Markers Of Honour, Passage, And Social Status/ Lancini Jen-hao Cheng
The Unwritten and the Recorded/ Chun-bin Chen
Playing for People or the Gods? Sustainability of Local Religious Music Popular in Yunnan Province/ Zhang Boyu
Mainstreaming, Popularising and Packaging : New Trends in the Christian Music of the Minorities in Yunnan/ Yang Minkang
The Latest Trends in Huangmei Opera/ Ching-wah Lam
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2012 (Vol. 20)
Between Global and Local: Twenty-First Century Korean Music-Making/ Hee-Sun Kim
We’re All Applied Ethnomusicologists Now: The Case of the Chinese Musical Instrument Collection at the Chinese University of Hong Kong and Its Database Project/ Tsai Tsan-Huang
Politics of Arts, Arts of Politics: Political Influences on the Development of Peking Opera in Hong Kong/ Chan Pui Lun
Directions for the Future of Asian Musicology in the 21st Century/ Oh-Sung Kwon
A Study on Jongmyo Jeryeak (宗廟祭禮樂)(I)/ Seongyeon Park
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2013 (Vol. 21)
In search of the world of a new Gayageum music./ HWANG Byungki
On the rhythm of the Korean music education at elementary schools/ YI Haeshik
The purism and justification pervading in Korea after the embracement of Western music/ CHUN In Pyong
A Study of Jongmyo Jeryeak II/ PARK Seong yeon
Synthesis of Hangyeore (One Nation) Music and Musicians/ SONG Ji won
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2013 (Vol. 22)
Changjak Gugak as viewed in the ethnomusicological perspective/ CHUN In pyong
A Study on the Singing style of Gyeonggiseonsori Santaryeong: Focused on the Analysis of Apsantaryeong/ LEE Hyung-Hwan
A Study of the Kyoto Performance of Yiwangjik Aakbu/ Sri Hesti Heriwati.
Extracting Meanings of Literary Texts in New Environments/ Santosa SW
A Pragmatic study of the classical verse in the Gara-gara scene in classical Surakarta style shadow puppet theatre performed by puppeteer Ki Anom/ Suroto Karju
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2014 (Vol. 23)
From Henan Opera to Taiwan Bangzi- Localisation and Identity of Taiwan/
Ma Ming-Hui
A Study of the Kyoto Performance of Yiwangjik Aakbu/ LEE Sujoung
Isang Yun in-between/ Lee Moon kyung
The Relation and influence between the musics and cultures for India and Korea/ CHUN In Pyong
An Essay on establishing the concept of Korean musicology/ SONG Bangsong
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2014 (Vol. 24)
A Study on the origin of the saengso byeongju type performance/ Kim Seong-hye
Korean Ritual of Mental Patient (Michingut) of Daejeon :Based on Chants of Sin Seokbong Beopsa/ Park Hye- Jeong
A study of the adaptive ability of a Chinese Opera: three case studies of the localized Taiwan Bangzi/ Ma Ming-Hui
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2015 (Vol. 25)
Performing Age, Class, and Gender in Korean P’ansori/ Ruth Mueller
Syncretism of the Korean cheonju gasa Sipjjapuriga with Gaksseoritaryeong/ Kang, Young-yeah
Krontjong Toegoe in Jakarta’s Tugu Village: A Musical Heritage from the Colonial Era/ Victor Ganap
Revitalizing the lost instruments: Research and reconstruction of the bronze bells and stone chimes in Vietnamese court music/ Phan Thuan Thao
An Investigation into the Point ( • ) in Akjangnyoram/ Nam Sang-sook
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2016 (Vol. 26)
From the Editor/ Yu Hui
Traditional Song Lyrics and Ritual Actions in Cambodian Weddings/ Francesca Billeri
Indonesian Influences in the Music of Elaine Barkin/ John O. Robison
Political Significance and Performance Contexts of the North Korean Ǔnhasu Orchestra/ Yeonok Jang
“We Found Ourselves”– Music and Identity among the Chinese American Diaspora in Miami/ Yiyu Zhang
Jazz in Japan: The Process of Cultural Integration/ Michael Pronko
Jazz Characteristics of the Chinese Bowed String Instrument Erhu
in Sanshui and Lanhuahua/ Zongyan Wang
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2017 (Vol. 27)
From the Editor: Music and Cultural Interactions in the Internet Age/ Yu Hui
Local Music in the Global Digital Field: A Study of Distribution and Popularity of Chinese Music on Youtube/ Yu Hui &Sary Schroeder
Virtual Fieldwork on Chinese Folk Songs: The Participatory Culture of Online Hua’er Videos/ Lukas Park
Country and Eastern: Music, the Internet, and the Dharma Realm Buddhist Association/ Beth Szczepanski
The Modern Transformation of the Zheng/ Ann L. Silverberg
Reality and fiction: audiovisual representations of traditional musical cultures in China/ Leonardo D’Amico
The Durham Oriental Music Festival and its Legacy/ Keith Pratt &Simon Mills
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2018 (Vol. 28)
Tracking the Korean Wave in Transnational Asia: K-Pop and K-Pop Fandom in Indonesia/ R. Anderson Sutton
Korean Wave 3.0 with reference to K-pop/ CHUN In Pyong
Emerging contemporary gugak as the essence of Hallyu in Britain : Rediscovery of gugak and the geomungo/ Ilwoo Park
Korean Wave and the African Continent: major developments and strategies/ Bethel Ghebru
Staying Relevant in the Digital Age: 100 Years of (Re)defining Gugak/ Jocelyn Clark
“Yoo Nan Saeng”: CL as master of the appropriative modes of KPOP and KHIP-HOP/ Michael W. Hurt
Bass Lee In Young who stowed away on a ship into Japan to study music/ Lee In Young
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2019 (Vol. 29)
The Music of Kim Eunhye: Arirang, Animals, and Signs of the Zodiac/ John O.Robinson
Champru as a cultural strategy of Sustainability: focusing on The Okinawan Performing arts in Nanyo/ Junko Konishi
Mlesed and Nggandhul in the Musical Accompaniment of Shadow Puppet Theater: A Case Study of Gendhing/ Hanggar Budi Prasetya
Legitimizing the Regime through Appropriating Central Asian Music:
The Three Dances of Yayue in the Early Tang/ Zhou Jing
Silk Road transmission of the yogo (hourglass drum) types depicted in Dunhuang mural paintings to China, Korea and Japan/ CHUN In pyong
My cello Music and My Musical life I loved/ Na Duksung
“A potential Uralic philosophy”by György Kádár/ Dr. Adrian Bury
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2019 (Vol. 30)
From the Editor: TheFrom the Editor: Chinese Contribution to the Contemporary Music of the 21st Century/ Yu Hui
In Search of a Distinctive Asian Sound – Fusion and Transformation
in Hong Kong Contemporary Compositions Since 1990/ Yat-wai Joseph WON
Fallen Leaves, New Roots/ Nicholas Ng
Ancient Melody and New Sound in Music from the Tang Court/ Ye Yu
Wang Xilin, Human Suffering, and Compositional Trends in Twenty-First Century China/ John O. Robison
Cross-Cultural Elements in Paul Rudy’s Fantasie Composition/ Wang Zheng-Ting
Chinese Music in Malaysia: Sustainability and Convergence/ Loo Fung Ying / Loo Fung Chiat
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2020 (Vol. 31)
Indo-mono musical works in modern Japan – a focus on Kazuo Yamada and Sadao Itō/ Hidetoshi Kobinata
Internationalen Ferienkursen für Neue Musik in Darmstadt as a platform of interest for composers from the People’s Republic of China, Hong Kong and Taiwan. A historical trace/ Joevan de Mattos Caitano
The characteristics of Thai popular singing dring 1925 – 1967/ Nutthan Inkhong
Korean Migrant Composers in Germany and their Background under the Aspect of ‘Generation’and Vocal Tex/ Shin-Hyang Yun
P’ansori as an Alternative to Existing Performer-Audience Relationships in Modern World Theatre/ Kim IkDoo
Existence of Orchestral Music Group in Java: since the Dutch East Indies to the Post-Independence (1950)/ Surtihadi and Sunarto
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